21 years ago today.
My girlfriend and I went out for breakfast, and spent the rest of the morning sauntering around town, doing some shopping at the market. At one point she suddenly started to cry. Her having a cry wasn’t so unusual. But she also had some eerie psychic powers.
“I’m not sure....I just feel incredibly sad all of a sudden.”
It seemed to pass, and we went about our day.
Later that evening, the phone rang, and she answered it. She began balling her eyes out.
A friend called us to inquire if we had heard the bad news.
Greg had been killed. He was riding with his cycling club, the London Centennial Wheelers, and an inattentive driver had smashed into the entire peloton, grievously injuring many, killing Greg.
Later we ascertained when it had happened, and her crying spell had happened around the same time. Like I said; eerie.
I went to school with Greg’s 3 kids, and we became good friends. I spent a lot of time at their house. Over time, Greg became more than someone who was my friends dad, and a Canadian artist of quite some renown. I loved hanging out in his studio where we would talk about music, with him pulling records out of his extensive collection to introduce me to stuff, and thrusting books into my hands on a variety of subjects from his vast library.
This connection with books extended to his having his book Deeds/Abstracts printed at the company I worked for in the months leading up to his untimely demise. It was an honour and a privilege to shepherd it through the whole process.
He called Kathryn and I up to ask if we wanted to come over to drink a bottle of wine he was about to open. We declined the offer, since we had to catch an early flight to Montreal the next morning, to visit coincidentally enough, his daughter. We got back on the Friday. He was killed the next day. Do I ever wish we had stayed up late to have that last bottle of wine with him and Sheila.
Still, I am blessed that I got to know him, and his family.
Greg loved bicycles and they were often featured in his prodigious output. This one is called Mariposa T.T. and it’s a serigraph on plexiglas and hails from 1979.
Showing posts with label Greg Curnoe. Show all posts
Showing posts with label Greg Curnoe. Show all posts
Thursday, 14 November 2013
Monday, 12 December 2011
Jack Chambers
Was surprised to see the name Jack Chambers on Tycho’s blog.
I never knew the man, but I do know the Curnoe family well, and heard much about him from them and read much about the role that Jack Chambers played in the really vibrant art scene in London, Ontario in the 1960s.
He painted this scene of Victoria Hospital, where he would later die, from atop the Curnoes roof.
Monday, 3 October 2011
The Greg Curnoe Bicycle Project
The AGO’s current Artist-In-Residence Paul Butler worked with Mike Barry, owner of Mariposa Cycle in Toronto, and rebuilt Greg Curnoe’s favourite bicycle – Close the 49th Parallel ETC. Part of it was to ask the question “what makes the kind of artist who is an activist and is community-minded as opposed to an artist whose drive is fame and fortune?” The show runs from September 17th until November 13th.
http://www.ago.net/paul-butler-the-greg-curnoe-bicycle-project
It’s nice to see Greg still so highly regarded.
Monday, 31 January 2011
CUTOUT: Greg Curnoe, Shaped Collages 1965-68
Just wanted to give this a little plug. It's been close to twenty years, and I still think of Greg often and fondly.
From 1965 to 1968, Greg Curnoe produced almost 50 shaped object-collage works, in series of repeated “face” elements and one-of-a-kind objects.
Curnoe had been making collages for many years, but the cutout collages featured in this exhibition departed from his previous methods in several significant ways. Rather than framing them, using conventional wooden frames as he had done previously, he mounted these collages on cutout, painted wooden shapes. He also introduced the idea of a group of works that collectively form a coherent representational whole.
Curnoe had been making collages for many years, but the cutout collages featured in this exhibition departed from his previous methods in several significant ways. Rather than framing them, using conventional wooden frames as he had done previously, he mounted these collages on cutout, painted wooden shapes. He also introduced the idea of a group of works that collectively form a coherent representational whole.
In CUTOUT, guest curator and former London artist, Robert Fones revisits this under-examined aspect of Curnoe’s work. Indicating an important bridge between the artist’s interest in early Dada and his later shaped paintings, the exhibition will add an important chapter to the understanding of Curnoe’s life and work. Concurrent to the cutout works, Curnoe worked on several larger paintings, including Kami-Kazi and The Heart of London, which are also included in this exhibition.
CUTOUT will be accompanied by a publication featuring essays by Robert Fones and writers Ben Portis and Carol-Ann M. Ryan.
January 22nd, 2011 to April 17th, 2011 at MuseumLondon, London, Ontario
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