I’ve been awestruck by the very, very involved work of Andrew Jones (aka Android Jones) for some time now. I think his work could best be described as hyper maximalist. A DMT trip leaves Shangri-La at 01:13 travelling at 53,849 KM an hour. PhotoShop leaves Xanadu at 13:07 at 23,403 KM an hour. When and where do they collide?
The music on this is worthy of turning down the sound on, but incredible to watch his process. I’m curious as to whether he has much of a vision in his head of where this is supposed to end up, or whether it is largely play, adding things whim-fully and seeing what works or doesn’t.
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